Coming Up

NEXT……brand new show!

14 and 15 March and 10 and 11 April 2012 – The Pheasantry, 152-154 King’s Road, London Sw3 4UT

SHADES OF BLUE – new show premieres in London!  

An evening of jazz, Latin and “blues” where the various meanings of the word ‘blue’ will be explored using the words and music of Miles Davis, Billie Holiday, Billy Joel, Dizzie Gillespie, Jon Hendricks, Neil Sedaka, Leon Russell, Johnny Mercer, Irving Berlin, Antonio Carlos Jobim and Noel Coward, to name a few.

Doors open at 7 pm for food, show at 8.30 pm   BOOK ONLINE NOW

Director – Barry Kleinbort

Musical Director – Michael Roulston

Bass/guitar – Nick Kaçal

Woodwinds – Bob Sydor

Trumpet/flugelhorn/violin – Nathan Mansfield

 

Said about THOUGHTS ‘ROUND MIDNIGHT:

“The beautiful ‘Everything I Own’ and ‘I Saw The Light’, with musical director Michael Roulston offering harmonies, are moments of sheer magic…..but for clarity, there is nothing to compare to Sanditen’s rendition of ‘Waters of March’.” 

Paul Vale, The Stage

“In great cabaret there is a certain thing that happens when a singer and a song, AND their patter is perfectly matched.  And a better match than Harold Sanditen, his music, his vocals, and his elegant panache, would be hard to find anywhere……Sanditen left his special brand of cabaret resonating from coast to coast.”

Michael Sterling, LA Talk Radio

“Sanditen has found his true niche in life……and after so short time in cabaret is developing into an artist with a genuine talent that promises much for the future. Very satisfying entertainment.”

Michael Darvell, Classical Source

“Sanditen’s THOUGHTS ‘ROUND MIDNIGHT can’t help but please…..His choices are intelligent and every song tells a story from a fresh approach……well worth your time.”

Ruth Leon, Playbill

“Harold Sanditen’s show was one of the best devised and executed shows I’ve seen in some time.”

Les Michaels, Life is a Cabaret

“Harold Sanditen has apparently used his time well when he wakes up ’round midnight or later and cannot sleep.  In fact, he’s crafted an entire cabaret show out of his nocturnal difficulties, and has no problem keeping an audience awake with great material and great performance skills.”

Elliot Zwiebach, Cabaret Scene